[...] In his text-based work Limitation, Ulrich Nausner transfers the statement of the disclaimer physically to the respective exhibition venue. The public space of the museum is symbolically privatized and, analogous to profitable contemporary business models on the Internet, taken over by individual interests: the artist adopts the role of a media group that does not produce content itself but uses the work of other producers without their consent as the basis for the creation of value. [...]